Highclere Castle

Highclere Castle English: /ˈhkl/ is a Grade I listed country house built in 1679 and largely renovated in the 1840s, with a park designed by Capability Brown in the 18th century. The estate is in Highclere in Hampshire, England, about south of Newbury, Berkshire, and north of Andover, Hampshire. It is the country seat of the Earls of Carnarvon, a branch of the Anglo-Welsh Herbert family.

Highclere Castle has been used as a filming location for several films and television series, including 1990s comedy series Jeeves and Wooster, and achieved international fame as the main location for the ITV historical drama series Downton Abbey (2010–15) and the 2019 and films based on it.

The house, Egyptian exhibition, and gardens are open to the public for self-guided tours during the summer months and at other times during the rest of the year, such as Christmas and Easter. The house also holds ticketed events, such as the Battle Proms picnic concert, and special guided tours throughout the year.

History

Early years

The first written records about the estate are dated 749 when an Anglo-Saxon king granted the estate to the Bishops of Winchester. The original site was also recorded in the Domesday Book of 1086. In the late 14th century William of Wykeham, Bishop of Winchester, built a medieval palace (bishop's residence) and gardens in the park. An itinerary of King Edward II lists him as spending 2 September 1320 with Rigaud of Assier, the Bishop of Winchester, at Bishop's Clere, alias Highclere. The same tour has him on 31 August 1320 at Sandleford Priory, where he apparently stayed for the night, and on 29 and 30 August he was at Crookham, Berkshire. In 1551 during the English Reformation King Edward VI confiscated the property from the Church of England.

Robert Sawyer

Originally granted by the king to the Fitzwilliam family, Highclere Castle had several owners during the next 125 years.

The palace was rebuilt as Place House in 1679 when it was purchased by Sir Robert Sawyer, the Attorney General to Charles II and James II, who was a lawyer, MP, Speaker, and college friend of Samuel Pepys. In 1692, Sawyer bequeathed the mansion at Highclere to his only daughter, Margaret Sawyer, the first wife of the 8th Earl of Pembroke, Thomas Herbert. Their second son, Robert Sawyer Herbert, inherited Highclere, began its portrait collection and created the garden temples. His nephew and heir Henry Herbert was created Baron Porchester and later Earl of Carnarvon by George III.

Milles and Pococke families

In 1680 Sir Robert Sawyer presented the living of Highclere to the Rev. Isaac Milles (1638–1720) the elder, who remained there till his death. White Oak was the parsonage where Milles took pupils, including the many children of Thomas Herbert, 8th Earl of Pembroke, who was by marriage the new proprietor of Highclere. The Rev. Isaac Milles the younger (fl. 1701–1727) carried on his father's school at Highclere. Elizabeth, the daughter of Milles the younger, married Reverend Richard Pococke LL.B. (1660–1710) and had the Rt. Rev. Richard Pococke (1704–1765), who, having been educated by his grandfather Milles at his school at Highclere rectory, went on to become domestic chaplain to Philip Stanhope, 4th Earl of Chesterfield, and then Bishop of Ossory and Meath, as well as a renowned travel writer and orientalist.

Bishop Pococke was one of the first to collect seeds of the Cedar of Lebanon, which he did during his tour of Lebanon in 1738. Some of these seeds germinated and grew at Highclere and Wilton House, but probably also at nearby Sandleford and his family's own Newtown House, Hampshire.

Coincidentally, the apparently unrelated (and earlier) Rev. Edward Pococke (1604–1691), another orientalist, was sometime vicar of Chieveley and then rector of Childrey (both nearby in Berkshire), and was an even earlier importer of the cedar. And of his six sons, the eldest, Edward Pococke (1648–1727) was chaplain to the Earl of Pembroke, and rector of Minall or Mildenhall, Wiltshire (1692), and canon of Salisbury (1675).

William Cobbett's description

William Cobbett (1763–1835) in his journal of 2 November 1821, while at Hurstbourne Tarrant wrote:

I came from Berghclere this morning, and through the park of Lord Caernarvon, at Highclere. It is a fine season to look at woods. The oaks are still covered, the beeches in their best dress, the elms yet pretty green, and the beautiful ashes only beginning to turn off. This is, according to my fancy, the prettiest park that I have ever seen. A great variety of hill and dell. A good deal of water, and this, in one part, only wants the colours of American trees to make it look like a creek; for the water runs along at the foot of a steepish hill, thickly covered with trees, and the branches of the lowermost trees hang down into the water and hide the bank completely.

I like this place better than Fonthill, Blenheim, Stowe, or any other gentleman's grounds that I have seen. The house I did not care about, though it appears to be large enough to hold half a village. The trees are very good, and the woods would be handsomer if the larches and firs were burnt, for which only they are fit. The great beauty of the place is, the lofty downs, as steep, in some places, as the roof of a house, which form a sort of boundary, in the form of a part of a crescent, to about a third part of the park, and then slope off and get more distant, for about half another third part. A part of these downs is covered with trees, chiefly beech, the colour of which, at this season, forms a most beautiful contrast with that of the down itself, which is so green and so smooth! From the vale in the park, along which we rode, we looked apparently almost perpendicularly up at the downs, where the trees have extended themselves by seed more in some places than others, and thereby formed numerous salient parts of various forms, and, of course, as many and as variously formed glades. These, which are always so beautiful in forests and parks, are peculiarly beautiful in this lofty situation and with verdure so smooth as that of these chalky downs.

Our horses beat up a score or two of hares as we crossed the park; and, though we met with no gothic arches made of Scotch-fir, we saw something a great deal better; namely, about forty cows, the most beautiful that I ever saw, as to colour at least. They appear to be of the Galway-breed. They are called, in this country, Lord Caernarvon's breed. They have no horns, and their colour is a ground of white with black or red spots, these spots being from the size of a plate to that of a crown-piece; and some of them have no small spots. These cattle were lying down together in the space of about an acre of ground: they were in excellent condition, and so fine a sight of the kind I never saw.'

19th century

The house was then a square, classical mansion, but, after an abortive exterior remodelling by Thomas Hopper in Greek Revival style for the second Earls, it was remodelled and largely rebuilt for the third Earl following a design by Sir Charles Barry in 1842–49 during his construction of the Houses of Parliament. It is in the Jacobethan style and faced in Bath stone, reflecting the Victorian revival of English architecture of the late 16th century and early 17th century, when Tudor architecture was being challenged by newly arrived Renaissance architecture influences.

During the 19th century, there was a Renaissance Revival movement, of which Sir Charles Barry was an exponent, Barry described the style of Highclere as Anglo-Italian. Barry had been inspired to become an architect by the Renaissance architecture of Italy and was very proficient at working in the Renaissance-based style that became known in the 19th century as Italianate architecture. At Highclere, however, he worked in the Jacobethan style, but added to it some of the motifs of the Italianate style. This is particularly noticeable in the towers, which are slimmer and more refined than those of Mentmore Towers, the other great Jacobethan house built in the same era. Barry produced an alternative design in a more purely Italian Renaissance style, which was rejected by Lord Carnarvon. The external walls are decorated with strapwork designs typical of Northern European Renaissance architecture. The Italian Renaissance theme is more evident in the interiors. In the saloon, in an attempt to resemble a medieval English great hall, Barry's assistant Thomas Allom introduced a Gothic influence evident in the points rather than curves of the arches, and the mock-hammerbeam roof.

Although the exterior of the north, east and south sides were completed before the 3rd Earl died in 1849 and Sir Charles Barry died in 1860, the interior and the west wing (designated as servants' quarters) were far from complete. The 4th Earl turned to the architect Thomas Allom, who had worked with Barry, to supervise work on the interior of the castle, which was completed in 1878. The 1st Earl had his park laid out according to a design by Capability Brown in 1774–1777, moving the village in the process—the remains of the church of 1689 are at the north-west corner of the castle. The Lebanon Cedars are believed to be descended from seeds brought to England from Lebanon by the 17th-century seed collector Edward Pococke.

The founding of Canada

In the 1860s, the 4th Earl drafted the British North America Act of 1867 at the castle alongside the first Prime Minister of Canada John A. Macdonald, George-Étienne Cartier and Alexander Tilloch Galt, who signed the visitor book in 1866. The 4th Earl presented the Act to Parliament in February 1867 and this led to the foundation of the present-day nation of Canada later that year. After the discovery of documents between him and John A. Macdonald, showing eight weeks of nearly daily correspondence, Janice Charette, the Canadian High Commissioner to the United Kingdom, recognised the central role of the 4th Earl in the creation of Canada by planting …